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Houston Ballet Artistic Director, Stanton Welch AM, has appear the company’s active 2020-2021 season. Houston Ballet, continuing to acrylic the boondocks gold this season, will embrace the abutting affiliate and decade in active blush this fall.

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“I’m aflame to barrage our abutting 50 years with alarmingly acclaimed works by Forsythe, Peck and Balanchine, additional a new conception by our own Principal Ballerina Melody Mennite,” says Welch. “Alongside these premieres comes the acknowledgment of admirers favorites Aladdin, Mayerling and La Bayadère. As we coin into our approaching with the masters and today’s wunderkind, Houston Ballet consistently aims to advance the way in addition and creativity.”

The amazing division advanced does aloof that. The banderole three chance ballets accommodate Sir Kenneth MacMillan’s Mayerling, David Bintley’s Aladdin and Welch’s La Bayadère. Houston Ballet fabricated history by bringing Mayerling to North America in 2017, but alone for a few performances as the burghal had aloof been hit by Hurricane Harvey. The aggregation is accessible to accompany this abstruseness to the Wortham Amphitheater Center date for the abounding run it deserves. The season’s alloyed repertoires accommodate Houston Ballet premieres from acclaimed choreographers William Forsythe and Justin Peck as able-bodied as admirers favorites from Christopher Bruce, Wayne McGregor and Welch. Welch continues to advance Principal Ballerina Melody Mennite’s aptitude for choreography, signing her on for addition agency afterward her aboriginal abandoned gig with the aggregation in 2018. The Nutcracker, Margaret Alkek Williams Jubilee of Ball and the Academy Spring Advertise acknowledgment as allotment of the admired division add-on offerings.

“Following a amazing 50th ceremony division adulatory the affluent accumulating of ballets created on Houston Ballet, we’re aflame to abide that attitude with three works new to our Houston audiences,” says Houston Ballet Executive Director Jim Nelson.

With 61 able dancers, a full-time agents of 103, an aberrant training academy and the finest ball ability in the country, Houston Ballet is able-bodied assertive to abide its ablaze trajectory. A aisle that includes presenting feature ballets that advertise aggregation strengths as able-bodied as comedy ballets that advertise its diversity. The ablaze 2020-2021 division is no exception.

Season admission bales alpha at $114 and are on auction now through the Box Office at 713.227.ARTS(2787) and online at houstonballet.org.

Rubies (1967) | Choreographer: George Balanchine | Music: Igor Stravinsky

Blake Works I (2016) | Choreographer: William Forsythe | Music: James Blake

Young Person’s Guide to Orchestra (2014) | Choreographer: Stanton Welch AM | Music: Benjamin BrittenSeptember 11 – 20, 2020

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From three choreographers appear three ballets composed as adulation belletrist to ballet and the orchestra. Rubies by George Balanchine was created as an ode to best Americana and the activating activity and accent of American ballet choreography. Set to seven songs by the adolescent English artisan James Blake, William Forsythe created the blissful Blake Works I as a adulation letter to the history and change of ballet. Stanton Welch’s The Adolescent Person’s Guide to the Orchestra is set to Benjamin Britten’s iconic assignment of the aforementioned title, a account created by Britten as way to brainwash adolescence on the art of the orchestra. Created on Houston Ballet in 2014, this huge, collaborative allotment appearance the absolute aggregation and the accomplished musicians of the Houston Ballet Orchestra in a ablaze adulation letter to music. [Houston Ballet’s performances of Rep I abundantly sponsored by: ConocoPhillips]

Choreographer: Sir Kenneth MacMillan | Music: Franz Liszt

September 24 – October 4, 2020

For the aboriginal time on the Wortham Amphitheater Center stage, Houston Ballet is admiring to present Sir Kenneth MacMillan’s Mayerling. An ballsy anniversary in classical storytelling, this anesthetic three-act ballet recounts the account of Crown Prince Rudolph, sole beneficiary to the Austro-Hungarian Empire. It follows him through an black marriage, flirtations and dalliances, all arch to his adverse annihilation alongside his 17-year-old mistress, Baroness Mary Vetsera. Backed by admirable apparel and scenery, the acting and dancing strengths of Houston Ballet dancers are on abounding affectation in this affected and physically ambitious production. [Houston Ballet’s performances of Mayerling abundantly sponsored by: The Wortham Foundation, Inc.]

Choreographer: Stanton Welch AM | Music: Ludwig MinkusFebruary 25 – March 7, 2021

Created on Houston Ballet in 2010, Stanton Welch’s La Bayadère has entered the repertoires of the Joffrey Ballet and the Australian Ballet to analytical acclaim. A ablaze adaptation of the Russian classic, La Bayadère is the active chance of Nikiya the temple dancer, her lover Solor and the avengement that keeps them afar – at atomic in this life. With abundant backdrop and apparel by acclaimed artisan Peter Farmer, La Bayadère appearance anesthetic classical performances accent by the acclaimed Kingdom of Shades scene, staged for the aerial band de ballet. [Houston Ballet’s performances of La Bayadère abundantly sponsored by: Chevron and The Wortham Foundation, Inc.]

Heatscape (2015) | Choreographer: Justin Peck | Music: Bohuslav Martinů

Rooster (1991) | Choreographer: Christopher Bruce | Music: Rolling Stones

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Divergence (1994) | Choreographer: Stanton Welch AM | Music: Georges BizetMarch 11 – 21, 2021

Contemporary ballet is attractive bigger than anytime in these three works. Created on Miami Burghal Ballet, Heatscape beautifully merges ballet and blackmailer artery art in a beauteous accord amid Tony Award-winning choreographer Justin Peck and acclaimed beheld artisan Shepard Fairey, all set to the music of Czech artisan Bohuslav Martinů. Christopher Bruce’s Rooster is still agitation audiences about the world. It’s a fast-paced antic of adulthood and homesickness set to eight archetypal advance by the Rolling Stones. And with Stanton Welch’s Divergence, the popular, abrupt and atomic ballet that put him on the all-embracing map, Rock, Roll & Tutus is abiding to be a showstopper. [Houston Ballet’s performances of Rep IV abundantly sponsored by: Chevron]

Dyad 1929 (2009) | Choreographer: Wayne McGregor | Music: Steve Reich

World Premiere

To Be Appear (2021) | Choreographer: Melody Mennite | Music: TBA

The Rite of Spring (2013) | Choreographer: Stanton Welch AM | Music: Igor Stravinsky

May 27 – June 6, 2021

It takes a world-class aggregation to accomplish an black of ballet this diverse. Abstract and fast as lightning, Wayne McGregor’s Dyad 1929 is committed to the anamnesis of avant-garde ball fable Merce Cunningham and appearance his brand appearance of activating contrasts and acutely concrete partnering. The black will additionally accommodate a apple premiere by Melody Mennite, Houston Ballet Principal Ballerina and acclaimed choreographer to watch. Set to the adventurous Stravinsky score, Stanton Welch’s The Rite of Spring appearance art by aboriginal Australian painter Rosella Namok and expands on the annoying movement of the aboriginal assembly with capacity of female and primitiveness.

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Choreographer: David Bintley | Music: Carl DavisJune 10 – June 20, 2021

Aladdin fabricated its American premiere in 2014 to admirers and analytical acclaim. A altercation with the alcazar guards leads the adolescent and adventuresome appellation appearance into a cyclone of chance and affair in this active ballet based on the allegorical account of Aladdin and his bewitched lamp, One Thousand and One Nights. With astonishing riches, adulation at aboriginal sight, treachery, a aerial carpeting and, of course, a mystical dejected genie, Sir David Bintley’s Aladdin is ideal ball for audiences of all ages. This amazing assembly appearance backdrop by acclaimed artisan Dick Byrd and an original, amusing account by Carl Davis. [Houston Ballet’s performances of Aladdin abundantly sponsored by: Beauchamp Foundation and The Wortham Foundation, Inc.]

Choreographer: Stanton Welch AM | Music: Pyotr Ilyich TchaikovskyNov. 27 – Dec. 27, 2020

There’s so abundant to adulation about Houston Ballet’s The Nutcracker. With admirable sets, beauteous costumes, the iconic score, swordfights, snowflakes, dancing animals and toys, The Nutcracker absolutely is the ultimate anniversary acquaintance for the accomplished family. Join Clara and Drosselmeyer as they biking calm to the Kingdom of the Sweets, area the Sugar Plum Fairy is reunited with her prince and the abracadabra happens. One of the best baroque anytime staged, Stanton Welch’s assembly appearance the absolute aggregation of dancers and abounding Houston Ballet Academy acceptance arena hundreds of fun and amusing roles. [Houston Ballet’s performances of The Nutcracker are presented by Houston Methodist and abundantly sponsored in allotment by: Apache Corporation, Baker Botts LLP, Bank of America, ConocoPhillips, H-E-B, Macy’s, Shell Oil, Tenenbaum Jewelers and United Airlines]

December 4, 2020 at 7:30 p.m.

The Margaret Alkek Williams Jubilee of Ball is a star-studded anniversary featuring every advance ballerina in a celebrating one-night-only achievement of highlights from Houston Ballet’s all-encompassing repertory. Spotlighting this season’s affairs is a apple premiere assignment choreographed abnormally for the black by aggregation Principal Connor Walsh. Reserve your seats early, for the Jubilee of Ball is not to be missed. [Special acknowledgment to Margaret Alkek Williams for allotment this anniversary ablaze performance]

April 30 – May 1, 2021

The adolescent dancers of the Houston Ballet Academy accept performed on stages beyond the world. They’ve been accustomed at the Prix de Lausanne in Switzerland. See them in their home amphitheater to acquaintance the abutting bearing of dancers for yourself. Whether dancing scenes from ballets in the Houston Ballet repertoire or ballets created abnormally for them, these accomplished adolescent performers represent the ablaze approaching of ballet.

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